broken, in disrepair. tübingen, 2018
from the left… tübingen, 2018
as usual a little retrospective will conclude the year here on .documenting.the.obvious. thanks a lot to all visitors new and especially all the regular ones! without you it would be only half (at most) the fun :-)
have a good 2019!
because of the huge success (*cough*) of my “best of the year spotify playlist” last year, i’ll continue with this new tradition as if nothing happened. i know spotify might not be the ideal medium for this but i think at the moment it’s the best one available. but i’m open for suggestions of course!
this blog will have resumed normal operations most probably by the end of next week.
from the excellent exhibition ‘almost alive’ in the kunsthalle tübingen. this is a sculpture by tony matelli named ‘josh’.
the title of this post was
stolen borrowed from phoebe bridgers’ song of almost the same name.
those who think i’m playing a pun on ‘audi’ with the title are correct.