cylon

cylon

found in berlin charlottenburg close to ernst-reuter-platz. shot with the e-p5 and the m.zuiko 75mm that i had rented that day to shoot the angel olsen concert.

window to the woods

window to the forestfound in prenzlauer berg, berlin. made with the leica m and the 75mm f2.5 summarit lens.

 

into the blue

into the blue

a kiosk at s-bahnhof griebnitzsee, potsdam.

leave us alone

leave us alone

berlin, kreuzberg. autumn is here.

oh lord won’t you buy me a mercedes benz

…because then i could sell it and probably get a leica m and a lens for the returns… but on the other hand, do i really want to own one? the following post will try to clarify.

the leica m

as promised in that post i’ll try to do a report on my experiences with a leica m (typ 240) that i got my (then very clean) hands on two weeks ago. i took part in a promotional campaign – still running until the end of october – called ‘you and leica m’ that granted free access to a leica m body and one lens (of choice) for two days to test it out. of course there was some  contract work necessary and unfortunately there was no insurance included in the campaign so some sweaty hands (on my part) were involved in the handing over of the camera-lens-combination. the reasoning behind the missing insurance (‘because it is for free there is no insurance included’) was a mystery to me but i tempted fate nevertheless.

after a careful scrutinization of the camera by me and  the very friendly and appropriately austere clerk and the written acknowledgement of a very  tiny mark on the lower plate on the camera body  i left the very stylish leica shop with a black leica m body and a 75mm f2.5 summarit lens and quite a heavy heart. additionally there was of course a battery and a charger included and luckily the whole package was contained in a quite nice brown leather bag that made the carry home a breeze. this package now was worth about 7500 euro and that had me a bit worried.

when at home i carefully took the leica out of the bag and tried to get acquainted with its controls. after a few minutes my at first fearful respect changed into a quite relaxed respect for the craftsmanship and the nice user interface. then i took the leica for what it is – a tool. a very expensive tool, though.

the only other rangefinder experience i had until using the leica m was with my father’s old olympus 35rc film camera. so i hadn’t learned enough about the parallax problem, yet. this is the problem of not seeing through the lens but through the viewfinder that is roughly (probably as good as possible) aligned with what the lens sees but then not quite. so the framing with a rangefinder works a bit different than with digital cameras or with (d)slrs where the viewfinder shows what the lens sees. you have to get adjusted to the parallax shift of the viewfinder to find the correct framing. this takes time. it is of course facilitated by the fact that the leica is a digital camera and you can see the outcome of a framing immediately. i guess two days is too short for getting used to this completely but i guess it is only a matter of time. what can easily happen is to forget the lens cap. everything just works fine only you get a black picture on the display later… it took me three black shots to find out what the problem was. of course the leica m also supports live view on the display but i don’t rent a leica to use it like a run of the mill point&shoot ;-)

the handling of the camera is quite straightforward actually. what i found a bit unusual is that you have to use both hands to make any adjustments in the settings when using the menu. you have to keep the selected menu button on the left side of the camera back pressed and then use the other hand to press the actual ‘set’ button on the right of the camera back. that was shown to me at the shop already. i guess i wouldn’t have found that out by myself because i usually consult the manual only as ultima ratio…

the leica is quite big and quite heavy at least compared with my usual camera of choice the olympus e-p5 (which is no slouch weightwise itself in the m43 line-up at least). that’s probably the full frame toll that has to be paid. the lens on the other hand is comparably tiny which i attribute to the missing autofocus machinery. yes – there is no autofocus on leica rangefinder lenses nor cameras. i bet if you read until here you already knew that but i always think it is worthwhile pointing it out. no autofocus!

this leads to my only issue with the leica (besides of course price, size and weight): technically sharp images are quite hard to get and i guess you need a lot of practice. this might sound like a lame excuse for the pictures shown here but it was a real challenge for me. my glasses might have made the issue even worse but i really think it’s a matter of experience using the rangefinder. i definitely have less problems focusing manually on my e-p5.

what is really cool (and probably part of the focusing issue)  is of course the leica’s full frame sensor with its shallow depth of field capabilities and the superb out of focus rendering of the summarit lens. always big fun to be able to use this effect. it’s definitely not for every picture and it might get gimmicky after a while but having it at my disposal was really nice. after the weekend with the leica i actually consider trying out the voigtländer 42.5 f0.95 lens for micro four thirds now which enables the m43 format to get similar possibilities without changing the whole system (and without breaking the complete bank if i can get my hands on a used one).

don't try this at home with your m43 system

don’t try this at home with your m43 system (leica m, 75mm f2.5 summarit)

almost all shots have been taken in berlin friedrichshain. some of them in pankow. on a more technical note: these pictures are not straight out of camera instead i used my usual development flow in lightroom with the huge leica dng raw files. i guess aside from possible aesthetical issues all problems in the technical quality of the pictures are thus mine, too.

leica m and gm-1

for comparison a picture of the leica m and it’s very remote cousin the panasonic gm-1.

so as a kind of conclusion: if somebody would be willing to give me a leica m and a nice lens as a present i would happily accept and definitely keep it. otherwise there is no way that i ever will have one in my hands again except when i win the lottery :)

it was nevertheless a fun experience and i can really recommend trying out a leica m at your local leica store (remember: the campaign is still running for one week)

 

 

 

 

reflections

reflections

some reflections on/of cologne.

this was made on hohenzollernbrücke last monday.

the wall

berlin wall

graphically quite pleasing, otherwise quite unsettling – the berlin wall.

this view can be found at the berlin wall memorial at bernauer straße.

rubble

rubble

a glimpse into a container in friedrichshain, berlin.

from the bus

from the bus

while my sister and her family have been visiting berlin i used the opportunity to attend a sight seeing tour on a berlin double decker cabrio bus with them. living in berlin for quite some time now it was an interesting experience. i knew all the places of course but i somehow could manage to see them with fresher different eyes.  this picture was taken in the hauptbahnhof quarter. maybe some more will follow.

minimal bear

minimal bearanother shot of urben’s great signature stencil. i like to read it as a bear (most probably because of some similarity to the logo of the berlin olympics 2000 that never happened) but i’m not sure that that’s intended.

the astute reader might have noticed (only from the tags of course) that this shot was taken with a leica m (type 240) and a leica summarit 75 f2.5 lens.  no i haven’t robbed a bank and i haven’t won the lottery… i’ve taken part in the ‘you and leica m’ promotional campaign that is still running until the end of october. you can get a leica m with lens for two days for free. of course you have to sign the rental contract with your blood and all your children and their children will be liable for any damage on the gear (ok, i exaggerate) but otherwise it’s really completely free and i can highly recommend taking part even if you are only remotely interested in camera gear.

there will be a write-up of my experiences soon with a lot of sample photos but i’m quite busy at the moment and need a bit more time to do this. since the campaign is heading towards its end, though, i wanted to spread the information at least in time.

 

 

 

up

up

another one from kreuzberg and another one on kodak elitechrome 400 slide film shot with my girlfriend’s nikon f55.

horse and i

horse and ifound in heringsdorf, island of usedom, too.

 

storm companion

sturmgesell

and stormy it was… another one from the beach of usedom.

i found sturmgesell’ a bit hard to translate. it definitely means storm companion or maybe rather companion in a storm and that’s fine but the gesell’-part has a quite oldfashioned sound to it and i don’t know how to get this across in english. any suggestions?

metagramm

metagramm

a metagramm from my visit to beelitz heilstätten. on the tripod: the gm-1 with the samyang fisheye.

mountain abstraction

mountain abstraction

clear blue sky and a snowy mountain behind bars.

found in friedrichshain, berlin.

single point of failure

single point of failure

found in cologne on the photokina parking lot. it made a quite impressive sound, too.

parking lot

parking lot in the skythe anwohnerpark (local residents park) by the office for subversive architecture osa in cologne.

be careful at the edge!

 

a b-pipe

b-pipea b-pipe emerging from the abcouder meer in abcoude, the netherlands.

 

 

my guess: b stands for brandweer which is the dutch word for fire brigade and they can refill their tanks here with fresh water.

the eyes and the window to your soul

the eyes

found in friedrichshain, berlin.

monday morning found tom miserable

tom

shot on a sunday on the polish east coast of the island of usedom. this is part of the ferry from ystad to świnoujście.

i would be lying if i said i hadn’t thought of gursky here, but this is of course a completely different genre…